The traditional music of Japan
has seen years of refinement and transformation over the course of its
historical evolution. The Nara
period (553-794) of Japan’s
history is generally recognized as being the time when an early form of the
music was taking shape. At this point the influence of China
was still heavily prevalent in regards to instrumentation and musical
terminology. The young country of Japan
was reaching out towards the sophistication of its neighbor for inspiration in
the arts.
China
brought to Japan
what would evolve over time into the popular classical instruments known today
for their distinct sound. Table harps (zithers), reed flutes, and lutes all had
origins in China, and over time evolved into the koto, shakuhachi and shamisen,
the three most common instruments of traditional Japanese music.
As Japan
began to gain a stronger sense of personal identity the musical arts became
intermixed with other popular art forms, especially the written arts, including
poetry. The popularity of Buddhist chant led to the inclusion of vocal pieces,
and short tales and narrative songs took form.
Music in Japan
has been fused with religious practice from the very beginning. Both Shintoism
and Buddhism, the two main religions of Japan
have festivals with music as an integral piece. The music associated with these
two religions has become as intermixed as the religions themselves. However,
Shinto and Buddhism both have distinct musical festivals associated with them.
Music also accompanies every form of popular theatrical arts, including Noh,
Kabuki, and Bunraku theater.
The beauty and distinction of East Asian music is
unparalleled, and offers a soundscape that is always intriguing. Musical
scales, melodies and time signatures outside of the bounds of Western classical
theory offer a wide range of enjoyable compositions that can expand the scope
of your listening experience.
